African art

A notable feature of the Ghanaian society, and one that is of great interest to travellers, is the enormous number of traditional festivals that take place in various parts of the country throughout the year. This makes for an all year round celebration of festivals which are different from each other in their meanings, history and activities undertaken. These festivals make known some common qualities and beliefs of the Ghanaian society. Many festivals include thrilling durbars of chiefs, when tribal leaders and Queen Mothers process in decorated palanquins, shaded by the traditional umbrellas, and supported by drummers and warriors discharging ancient muskets. The Akwasidae festival is celebrated every 42 days in Ghana. The Ashantis believe in the dead. Each time that a king dies, his stool “chair” is sent to a special place where it is kept. It is the duty of the Asantehene , the Ashanti King to purify at every 42 days the stools of the dead kings.

List of World Heritage Sites in Africa

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For those arriving early in the day, the rest of the day is free to explore. Overnight Accra City Hotel or similar. Despite being a fast growing, lively city, the people are friendly and welcoming and maintain many aspects of their tribal African roots. The old quarter of Jamestown is the heart of the old colonial town and is inhabited by the Ga people, who founded Accra in the 16th century.

There are numerous bustling markets to explore where you can discover everything from food, clothing and household goods to traditional crafts. Most interesting is the area where coffins are made — here they make them with the most outlandish designs, in the shape of fish, aeroplanes, or just about anything else you can think of.

Overnight Afrikio Resort or similar. Dipo Festival Dipo is an annual celebration that initiates adolescent girls to womanhood, an important cultural marker in the world of the Krobo people, like many ethnic groups, and is carried out with much ritual and ceremony. The traditional festivities involve adolescent girls being decorated in the beautiful beads that the Krobo are renowned for; the Dipo participants, traditionally called Dipo-yi are dressed in beautiful cloth only from the waist to the knee level.

The upper part of the body is exposed and festooned with colourful and assorted beads. Two days are set aside for the festivities.

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The national flag is a tricolor of red, yellow, and green horizontal stripes, with a five-pointed black star in the center of the yellow stripe. Hail the Name of Ghana. The metric system is the legal standard. Movable religious holidays include Good Friday and Easter Monday.

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For a guide to symbols used at Blombos, please see: Bushmen are the oldest known natives of South Africa, although exactly when they appeared, and how far their history dates back, remains a mystery. It is not even certain if it was their ancestors who were responsible for the pictographs and petroglyphs which have been found at various prehistoric sites in the country. The Bushmen were driven back into the desert areas, not only by the white man, but also by the Hottentot invaders.

The Hottentots are also a yellow-skinned race, so closely resembling the Bushmen that, according to some experts, it is inadvisable to separate them. There remains however, an enormous difference between their artistic achievements. None of any consequence can be attributed to the Hottentots, but the old Bushmen have to their credit some of the finest and oldest art in the world, at sites all over Southern Africa.

The general character of Bushman rock art is naturalistic, and many of the images can be seen as pictographs, in that they express ideas and are not “art for art’s sake.

Africa Continent

Eleven countries have only a single site each. Four sites are shared between two countries: However, there are around a dozen archaeological sites in the country that are believed to be potential future candidates for World Heritage status. Selection is based on ten criteria: In Africa, there are 85 cultural, 45 natural, and 5 mixed sites. It planned to protect the sites by hiring personnel for state parties to maintain national inventories of existing sites, as well as to “prepare nomination dossiers for inscription onto the World Heritage List.

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Top 10 Honeymoon Destinations in Africa trip-idea-blog Type: Day Trip, Extended Trip, Quick Trip, Road Trip, Weekend Trip What pictures of honeymoon readily come to your mind—thrilling wildlife safaris, from popular to less crowded and secluded breath-taking beaches; or beautiful lakes, diverse scenic natural landscapes featuring from majestic rocky mountain peaks to the deserts and islands; or is it marvellous heritage sites and enthralling sights of pyramids and more?

If your answer is yes to anyone of these, then welcome to Africa! From its countless majestic heritage sites, secluded beaches, adventurous wildlife safaris, to its vibrant and popular port cities, Africa has a plethora of diverse honeymoon destinations; so many that making a choice becomes a problem. A lot depends on the interests and preferences of the couples. However, before giving you some of the top destinations you should consider for your honeymoon, here is a piece of advice: Here is a list of our top 10 honeymoon destinations to consider: Victoria Falls If you adore nature and want to spend your honeymoon exploring its splendour, head to Zambia.

Victoria Falls presents a spectacular sight of awe-inspiring beauty and grandeur on the Zambezi River. Couples who choose this destination have an array of activities to choose from ranging from canoeing, kayaking, to bungee jumping. It has vast plains, and you will find animals such as the wildebeest, gazelle, zebra, and big cats rooming in its various parks.

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By the end of the 16th century, most of the ethnic groups constituting the modern Ghanaian population had settled in their present locations. Archaeological remains found in the coastal zone indicate that the area has been inhabited since the Bronze Age (ca. BC), but these societies, based on fishing in the extensive lagoons and rivers, have left few traces.

A map of the Ashanti Empire. Under Chief Oti Akenten r. At the end of the 17th century, Osei Tutu died or became Asantehene king of Ashanti. Under Osei Tutu’s rule, the confederacy of Ashanti states was transformed into an empire with its capital at Kumasi. Political and military consolidation ensued, resulting in firmly established centralized authority. Stools already functioned as traditional symbols of chieftainship, but the Golden Stool represented the united spirit of all the allied states and established a dual allegiance that superimposed the confederacy over the individual component states.

The Golden Stool remains a respected national symbol of the traditional past and figures extensively in Ashanti ritual. Tutu’s gesture made the process relatively easy and nondisruptive, because most of the earlier conquests had subjugated other Akan peoples. Within the Ashanti portions of the confederacy, each minor state continued to exercise internal self-rule, and its chief jealously guarded the state’s prerogatives against encroachment by the central authority.

A strong unity developed, however, as the various communities subordinated their individual interests to central authority in matters of national concern. The wars of expansion that brought the northern states of Dagomba, [5] Mamprusi, and Gonja [6] under Ashanti influence were won during the reign of Opoku Ware I died , successor to Osei Kofi Tutu I.

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Overview General characteristics It is difficult to give a useful summary of the main characteristics of the art of sub-Saharan Africa. The variety of forms and practices is so great that the attempt to do so results in a series of statements that turn out to be just as true of, for example, Western art. Thus, some African art has value as entertainment; some has political or ideological significance; some is instrumental in a ritual context; and some has aesthetic value in itself.

More often than not, a work of African art combines several or all of these elements. Similarly, there are full-time and part-time artists; there are artists who figure in the political establishment and those who are ostracized and despised; and some art forms can be made by anyone, while others demand the devotion of an expert. Claims of an underlying pan-African aesthetic must be viewed as highly contentious. Some further general points can be made, however, in regard to the status of precolonial sub-Saharan art.

First, in any African language, a concept of art as meaning something other than skill would be the exception rather than the rule. This is not because of any inherent limitation of African culture but because of the historical conditions under which European cultures arrived at their concept of art.

History of Ghana

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Clothing in Africa: Source: Contributed By: Muhonjia Khaminwa, The precise origins of cloth production in Africa is lost in time, but archaeological findings indicate some of the earliest sites.

Drawings of looms can be seen in the tombs of ancient Egypt, dating back to at least B. Archaeologists have found linen remnants in ancient Egypt, as well as fifth-century cotton cloth remnants in Meroe, in northern Sudan. In West Africa, woven fiber pieces dating back to the ninth century C. Evidence of loom use in Mauritania dates back to the eleventh century.

Traditions of Cloth Production and Design Bark cloth, or cloth made from tree bark, predates the development of woven textiles in most parts of Africa. Today it is rarely used for day-to-day clothing, but some societies use it for ceremonial costumes. The Ganda of Uganda, for example, make fabric from the inner bark of fig trees, which is worn during ceremonial dances and other occasions when ancestors are being honored.

Early clothing in Africa was also made from treated animal hides, furs, and feathers. Many African societies weave cloth from locally grown cotton. In North Africa and the Sahel, women also spin and weave camel and sheep wool. All these fibers can be dyed using vegetable and mineral dyes. The two main kind of textile looms in Africa are the double-heddle loom, used for narrow strips of cloth, and the single-heddle loom, used for wider pieces.

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